When it comes to digital cameras, both manufacturers
and shoppers seem to care most about megapixels. Relatively inexpensive
4-megapixel models have become common, but only a couple of consumer
models reach 5 megapixels. Experts predict that the ascent will plateau at
6 megapixels, but we doubt people will ever get enough.
Though resolution is important, a camera needs more
than just a high pixel count to take great pictures, so pay attention to
traits that the specs may not reveal. For example, a lethargic camera that
takes too much time between shots may miss the best action, and a big,
heavy camera may spend more time on the shelf than in your carry-on
bag.
Key Features
Resolution: If you intend to take pictures
only to e-mail them to distant friends or to print at snapshot size, a
camera of most any resolution will do. Even so, more pixels give you
greater flexibility--you can print sharper pictures at larger sizes, or
crop and print small sections of pictures. Rules of thumb: A 2-megapixel
camera can usually produce a pretty 5-by-7 print; a 3-megapixel camera, an
8-by-10; and a 4-megapixel model, an 11-by-17.
Size, weight, and design: To some users, how
much a camera weighs and whether it fits in a pocket may be more important
factors than resolution. PC World has tested cameras that weigh as
much as 2.6 pounds and as little as 6.8 ounces. Small cameras are
convenient, but they frequently have tiny dials and buttons that make
changing settings somewhat trying.
Zoom lens: Inexpensive cameras often lack
optical zoom lenses. If we had to choose between a camera with an optical
zoom and one with higher resolution, we'd take the camera with a zoom--it
means you won't have to magnify your subject and then use software to crop
the image (and discard some of that resolution as a result). Be wary of
advertised zoom ratings--many vendors combine the optical zoom (which
moves the lens to magnify the subject) with digital zoom, which merely
captures fewer pixels and magnifies those.
Manual focus: For close-ups or situations in
which the camera can't get a focus lock, switching to manual focusing can
help you get the shot. Low-end cameras often omit manual focusing or allow
only stepped focusing, which only allows you to choose from a few preset
distances.
Storage: At its highest resolution, a typical
2-megapixel camera can store eight to ten images on an 8MB "starter"
memory card. CompactFlash and SmartMedia cards cost about $35 for 64MB, or
$60 for 128MB; Secure Digital Cards cost a bit more: about $45 for 64MB,
or $75 for 128MB. Sony still makes cameras that store images on floppy
disks or compact discs. Floppy storage is slow, however, and the disks
can't hold more than one or two high-resolution images; compact discs
store many more images, but the cameras that use them are slow and
bulky.
Batteries: Cameras use one or more of several
types of batteries: AAs, either nonrechargeable alkaline ($6 for four) or
rechargeable nickel metal hydride (about $14 for four); high-capacity
disposable CRV3s (around $12); or proprietary rechargeable batteries that
can cost $35 to $75 to replace.
Movies and sound: Many cameras can capture
video as well as still shots, though memory cards don't hold much video
footage; the option is useful for short clips when you don't have a
camcorder.
Exposure settings: All digital cameras let you
shoot in fully automatic mode--just press the shutter release and you get
a picture. Better cameras offer aperture- and shutter-priority modes, in
which you adjust the size of the lens opening or how long the shutter
stays open, and the camera automatically controls the other variable to
give you the proper exposure. Usually the same cameras also offer
full-manual exposure control, in which you set both variables. These modes
make a camera adaptable to almost any situation.
Menus: When evaluating a camera, consider how
easily you can reach common settings--resolution, macro mode, flash, and
exposure adjustments--and how easily you can play back just-taken images.
Too many buttons, and you waste time trying to figure out which button
does what; too many menus, and you waste time digging through them.
White balance: Almost all digital cameras
allow you to choose a white-balance setting via presets. This setting
tells the camera which elements in a shot should look white and, by
inference, what should look black and what everything in between should
look like. If you're finicky about color accuracy, look for a manual
calibrator in which you press a button while aiming at a white object.
LCD: Low-end models often omit an LCD screen,
which is necessary for reviewing just-taken images on the camera. LCD
quality varies widely: Many wash out in sunlight or become grainy in low
light, or the image may change if you tilt the camera slightly. If you
can, try a camera outside before you buy it.